The Poetry of the Blues

‘"The blues" is a secular African-American musical genre that has had broad influence in popular music. Blues songs deal with a variety of topics and emotions, though it is often mistakenly thought that they deal almost exclusively with sorrow and protest.

Though there are no recordings of blues songs made before the 1910s, it is generally accepted that a musical style recognizable as blues was being played and sung by African-American musicians in the Southern United States by the 1890s. The songs drew freely from earlier African American styles, such as work songs, field hollers, spirituals, minstrelsy, as well as from Anglo and European derived forms. Blues singers emphasized "blue notes," usually the third, fifth and seventh degrees of the scale, which they often slurred or "bent" upward a quarter tone or more, sometimes mimicking or echoing these effects on accompanying instruments, such as the fiddle, harmonica or guitar. Although they did not always seek to tell a story, singers used imagery that reflected their audience's language and world. Moans, cries, shouts and grunts were often interpolated. The so-called "12 Bar Blues" became the dominant blues song form early on, and remains so to this day. In it, verses are three lines long, with the first line repeated, and the third line usually completing a thought or making a point.’-https://www.loc.gov/collections/songs-of-america/articles-and-essays/musical-styles/popular-songs-of-the-day/blues/

Have you ever heard a great Blues song and been intrigued by what is happening in the music and lyrics, even if you can't quite make out exactly what is being said?  Here are some selected sources for discovering the expressions of Blues poetry that will help illuminate and decode the meaning of that content for modern listeners.   Some examples are given below.

LC Subjects: Blues (Music) — Texts. Blues (Music) — Poetry. African Americans — Music — Texts.

 

Charley Patton, “High Water Everywhere, Part 1” (Patton). Acc. own guitar. Grafton, Wisconsin, ca. October 1929. Paramount 12909.

The back water done rose all around Sumner, Lord, drove me down the line. Back water done rose at Sumner, drove poor Charley down the line. And I’ll tell the world the water done struck Drew’ses town.

Lord, the whole round country, Lord, creek water is overflowed. Lord, the whole round country, man, it’s overflowed. (Spoken: You know, I can’t stay here. I’m … I’ll go where it’s high, boy.) I would go to the hill country, but they got me barred.

Now looky here now at Leland, Lordy, river was rising high. Looky here, boys around Leland tell me river is ragin’ high. (Spoken: Boy, it’s rising over there. Yeah.) I’m gonna move over to Greenville. Bought our tickets. Good-bye.

Looky here, the water dug out, Lordy (Spoken: Levee broke), rose most everywhere. The water at Greenville and Leland, Lord, it done rose everywhere. (Spoken: Boy, you can’t never stay here.) I would go down to Rosedale, but they tell me it’s water there.

Lord, the water now, mama, done struck Shaw’ses town. Well, they tell me the water done struck Shaw’ses town. (Spoken: Boy, I’m going to Vicksburg.) Well, I’m going to Vicksburg on a high[er] mound.

I am going out on high water where land don’t never flow. [sic] Well, I’m going on a hill where water, oh, it don’t never flow. (Spoken: Boy, Sharkey County and Issaquena’s drowned and inched over.) Bolivar Country was inchin’ over in Tallahatchie’s shore. (Spoken: Boy, I went in Tallahatchie. They got it over there.)

Lord, the water done rushed all over that old Jackson Road. Lord, the water done raised up over the Jackson Road. (Spoken: Boy, it got my clothes.) I’m going back to the hill country. Won’t be worried no more.

-Nobody Knows Where the Blues Come From : Lyrics and History, edited by Robert Springer, University Press of Mississippi, 2005. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/afpl/detail.action?docID=840333.

 

Blind Willie McTell, “Mama Tain’t Long Fo’ Day” (McTell) Acc. own guitar. Atlanta, Oct 1927. Victor 21474.

Wake up mamma, don't you sleep so hard

Wake up mamma, don't you sleep so hard

For it's these old blues walkin' all over your yard

I've got these blues, the reason I'm not satisfied

I've got these blues, I'm not satisfied

That's the reason why I stroll away and cry

Blues grabbed me at midnight, didn't turn me loose till day

Blues grabbed me at midnight, didn't turn me loose till day

I didn't have no mama to drive these blues away

The big star fallin', mama tain't long ‘for day

The big star fallin', mama tain't long  ‘for day

Maybe the sunshine will drive these blues away

Oh, come here quick; Come on, mama

You know I got you

-https://genius.com/Blind-willie-mctell-mama-taint-long-fo-day-lyrics

 

Furry Lewis, “Dry Land Blues” (Lewis) Acc. own guitar. Memphis, Aug 1928.

Victor 45429-2

I can look through muddy water; babe, I can see dry land

I can look through muddy water, babe, I can see dry land

If you don’t want me, mama, let’s shake hand in hand

I'm going so far, I can't hear your rooster crow

I'm going so far, I can't hear your rooster crow

This is my last time ever knocking at your door

You won't cook me no dinner, mama, you won't iron me no clothes

You won't do nothin’ but walk the Horn Lake Road

Mens, if you love your woman, please measure it in her cup

She happen to quit you, boy,  leave you in tough luck

You can take my woman, man, you ain't done nothin’ smart

I have more than one woman playing in my backyard

What you gonna do when your troubles get like mine?

What you gonna do when your trouble get like mine?

And it's trouble here, and it's trouble everywhere

So much trouble floating in the air

-https://weeniecampbell.com/wiki/index.php?title=Dry_Land_Blues

 

Blues poems / selected and edited by Kevin Young, opens a new window

"The first anthology devoted exclusively to blues poems"
Blues Poems, a collection by Kevin Young

The Blues Line: Blues Lyrics From Leadbelly to Muddy Waters 

The Blues Line: Blues Lyrics From Leadbelly to Muddy Waters
The Blues Line: Blues Lyrics From Leadbelly to Muddy Waters

The Little Blues Book. Illustrations by R. Crumb

 A collection of lyrics and lore that captures the very heart and soul of the blues. From Blind Lemon Jefferson to Alberta Hunter, dozens of blues masters offer words of wisdom on subjects including luck (both good and bad), love, loss, and the raw material of life.
The Little Blues Book, Illus. by R. Crumb

Squeeze My Lemon: A Collection of Classic Blues Lyrics. by Poe, Randy

Squeeze My Lemon. A Collection of Classic Blues Lyrics
Squeeze My Lemon: A Collection of Classic Blues Lyrics

Talkin' to Myself: Blues Lyrics, 1921-1942

alkin' to Myself: Blues Lyrics, 1921-1942 is a compendium of lyrics by the great blues recording artists of the classic blues era. It includes over 2000 songs, transcribed directly from the original recordings, making it by far the most comprehensive and accurate collection of blues lyrics available.
Talkin' to Myself: Blues Lyrics, 1921-1942

Blueswomen: Profiles of 37 Early Performers, With An Anthology of Lyrics, 1920-1945.  Bourgeois, Anna Stong

 

 

 

 

 

 

 

 

 

 

Jelly Roll Blues: Censored Songs & Hidden Histories. Wald, Elijah

A bestselling music historian follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazz.
Jelly Roll Blues: Censored Songs & Hidden Histories

Barrelhouse Words: A Blues Dialect Dictionary. by Calt, Stephen

Also available as an E-book: https://ebookcentral.proquest.com/lib/afpl/detail.action?docID=3413993

 

 

 

 

 

 

 

 

 

 

 

The Language of the Blues From Alcorub to Zuzu. by DeSalvo, Debra

The Language of the Blues explores the origins and meanings of the language of the blues - ranging in alphabetical order from words that have infiltrated the American mind, like mojo and boogie, to more obscure terms like woofin (verbal boasting) and mootie (marijuana), which have resurfaced in today's hip hop hits.
The Language of the Blues From Alcorub to Zuzu by DeSalvo, Debra

Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone;

This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic
Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone
 

What's the Use of Walking If There's a Freight Train Going Your Way? Black Hoboes & Their Songs. Garon, Paul, 1942-

What's the Use of Walking If There's a Freight Train Going Your Way? Black Hoboes & Their Songs